
Programme and Performers
Caroline Shaw Thousandth Orange
Dobrinka Tabakova Insight
Elena Kats-Chernin The Three Dancers
Ezo Dem Sarici Göçebe Prenses
Her Ensemble
Ellie Consta director
Luba Tunnicliffe viola
Marianne Schofield bass
Ilona Suomalainen accordion
Elsa Bradley percussion
Laura van der Heijden cello
Jess Gillam saxophone
Junyan Chen piano
Julian Nichols dancer
A note from Ellie Consta, director of Her Ensemble
The concept for Her Ensemble came to fruition during the 2020 lockdown. At the time, I was living with artists/producers and began to notice how different our work lives and experiences were. Around the same time, I stumbled across a statistic brought to light by the organisation Donne, Women in Music, which discovered that in 2019 just 3.6 percent of the classical music pieces performed worldwide were written by women.
I was shocked to realise I could name only a handful of female composers despite being immersed in the classical industry and having studied at renowned institutions. This statistic made me question everything I’d taken for granted in the classical world, from dress codes to sweeping statements I’d heard time and time again, such as ‘there just haven’t been that many female composers’. I started researching and discovered a large gap in my education, with thousands of female composers pre-dating 450BC. I wanted to explore all this music that I’d never heard about and merge the aspects that I loved so much from both musical scenes. I think Her Ensemble is as much about questioning the status quo as it is about giving overlooked voices a platform. Or perhaps these things are synonymous.
I think I was drawn to each of the pieces programmed for similar reasons – although very different in style and character, each work blurs the lines between musical genres and eras in its own way. Inspired by the visual arts and storytelling, each piece has a timeless quality that evokes a visceral response through languages without words and communicated through personal experience and emotion. From folk songs dating back to the 1300s, to contemporary music that still uses the same harmony today, there is a synergy that intrinsically links these individual works – a reminder of our connection to a bigger ecosystem and that although sometimes seemingly abstract, the art we create is undoubtably influenced by the work of those around us and those who came before us.
Ellie Consta
Director, Her Ensemble